Saturday, October 8, 2016

January 8th, 2017: World premiere of Shamisen Concerto in New York

The world premiere of my newly-composed Shamisen Concerto (2016) will be given by shamisen virtuoso Yoko Reikano Kimura: http://reikano.yamadaryu.com

WHERE: Marc A. Scorca Hall, The National Opera Center America
WHEN: January 8th, 2016, 7:00PM
Tickets: http://yokoshamisenrecital.bpt.me/ or on the door.


Friday, October 7, 2016

November 10th, 2016: Performance of 月に遊ぶ in Tokyo

My work 月に遊ぶ for soprano, 21-string koto, and shakuhachi will be performed in Tokyo on November 10th, 2017

WHERE: Sumida Triphony Hall: https://www.triphony.com
WHEN: November 10th, 2016, 6:30PM

私は「邦楽器とともに」を通して、日本語の美しさと和楽器の魅力的な響きの相乗効果を再発見できました。お互いが相互作用して生まれる美は素晴らしいものです。日本歌曲協会の価値ある活動で、世界中に多くの人々が日本語による歌の素晴らしさを味わって頂くように心から深く希望しております。私も、その可能性が広がるように、一生懸命頑張っていきたいと思います!


月に遊ぶ

吉田 義昭

春の月 海に浮かべ
私の旅のはじまりは
人生をやり直すことではない
ただ そっと後ずさりしていた月
過去を見つめる新月を愛した

夏の月 海に遊び
私は旅の途上で
人々の生きる姿を見つめていた
ただ 悲しみ喜びをくりかえす月
上弦の月の青い影を愛した

秋の月 海に揺れて
私も波を歩いた
人生は変えられないのではない
ただ 静かに流されていただけの月
雲に隠れた下弦の月を愛した

冬の月 海に沈め
私の旅の終わりは
人生も終わりにすることではない
ただ 永遠を求めただけの月の光
美しい満月の生き方を愛した





Sunday, September 25, 2016

September 25th, 2016: Performance of Three Poems by Tanikawa Shuntaro (2002) in Houston, TX

My song cycle for soprano and piano, entitled Three Poems by Tanikawa Shuntarō (2002) will be performed in Houston, TX by Julia Fox http://www.juliafoxsoprano.com and Keith Weber.

WHERE: Salem Evangelical Lutheran Church, 4930 W Bellfort St, Houston, Texas 77035
WHEN: September 25th, 2016, 4:00PM~
Admission: FREE

Program notes:  

In 1997 I discovered the poetry of Tanikawa Shuntarō, arguably the most widely read and highly regarded of living Japanese poets. Many of his poems are written in hiragana rather than in Chinese characters and intended for children. Hence, as a student of Japanese it is relatively easy for me to read and understand his poetry. Together, the three poems chosen for this song cycle represent three core aspects of the human experience; love, play, and nature. The first song in the cycle, Kiss, is an evocative, sensuous musical setting of the emotion of love. It is set in a profoundly expressive, hyper-chromatic harmonic language to express passion and ecstasy. The second song in this cycle, Koro, koro, is the shortest and most playful of the three. Moto perpetuo sixteenth notes in the right hand of piano are offset by a bouncy rhythm in the left hand. The piano accompaniment spins, rocks, and sways, reflecting the movement in the poetry. As the poem becomes more introspective the piano accompaniment becomes less dense and more expressive. Towards the end of the movement a Japanese pentatonic scale is used to reflect the national identity of the poet and reinforce the Japanese language. The third song in the cycle, Haru (‘spring’) is a deeply introspective setting of a protagonist being so inspired by nature that he/she feels connected to a higher spiritual power. The forward movement and sense of looking beyond each element in one’s field of vision in the poem is musically reflected in ascending melodic vocal lines that come to a breathtakingly dramatic climax. In the final measures, a gentle falling gesture in the piano is intended to evoke the image of a cherry blossom gently swaying back and forth as it slowly drops to the ground.



Saturday, September 17, 2016

September 17th, 2016: Performance of In Remembrance... (2005) in Houston, TX

My 2005 work for piano trio and shakuhachi, In Remembrance... (2005) will be performed by the Trio Oriens in Houston, TX on Septmber 17th, 2016. Please see the attached flyer for more information:
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In Remembrance... is an elegy composed for the victims of September 11, 2001. While certain sections of the piece are mournful and express a sense of loss, there is also a sense of hope and beauty. The combination of different aural soundscapes, reflected by the representative Japanese end-blown flute, the shakuhachi, and three Western instruments, suggests a coming together of disparate cultures. The cadenzas for shakuhachi invoke traditional shakuhachi honkyoku, the repertoire of “original pieces'” that have been orally transmitted over the past 500 years within the context of Zen Buddhism, sacred pieces that are considered “sonic meditations.” Specifically, excerpts from the honkyoku entitled Tamuke (a Requiem piece) are used to remember those who lost their lives on this tragic day.

In Remembrance... was commissioned by the Hawai‘i Music Educators Association and premiered on November 10, 2006 by Marty Regan (shakuhachi), Ignace Jang (violin), I-Bei Lin (violoncello), and Thomas Yee (piano) in Orvis Auditorium at the University of Hawai‘i, Manoa. 

Duration: ca. 12 minutes

この曲は、9.11の犠牲者のために作曲した悲歌である。曲中、いくつかの部分では死を悼み、喪失感を表現しているが、将来への肯定感、美しさ、希望といった思いも表している。日本の代表的な縦笛楽器である尺八、そして3つの西洋楽器によって、異なる聴覚の音風景が映し出される。これは、本質的に異なる文化が互いに寄り沿うことを意味する。曲中における尺八のカデンツァは、日本伝統音楽の「本曲」を想起させる。本曲とは、禅仏教の歴史において、500年以上も前から口承で受け継がれてきた音楽作品のことを指す。それらは宗教的な音楽であり、ある種の吹善と考えられている。具体的には「手向け」(鎮魂曲)という題名の本曲の一部が、2001年の9.11にて命を失った方々を覚えて、曲中で使われている。「In Remembrance...」 はハワイ州の音楽教師協会(HMEA)の委嘱によって作曲され、06年11月10日にハワイ大学マノア校で初演された。

Sunday, September 11, 2016

September 11th, 2016: Performance of Soundscape of the Seasons / 四季の音風景 performance in Tokyo, Japan

My work Soundscape of the Seasons / 四季の音風景 for shakuhachi, shamisen, and koto will be performed in Tokyo, Japan.

WHEN: September 11th, 2016, 2:30PM~
WHERE: Brick Hall, Tokyo

As the title implies, in Soundscapes of the Seasons, for shakuhachi, shamisen, and koto, I seek to express the core essence of the seasons through music.The first movement, fall, is elegant and austere. The second movement, Winter, begins with a quiet, spacious koto solo, but gradually increases in intensity to represent a the coming of a light snowstorm. The third movement, Spring, was inspired by Minoru Miki's The Young Sprout for 21-string koto solo.The koto provides a sprightly, buoyant  ostinato in compound meter over which the shakuhachi plays a lyrical, carefree melody. In the middle section of this movement, every possible instrumental combination is explored in a series of duets. A whirlwind of energy from start to finish, in Summer the koto and shamisen provide a lively, syncopated ostinato over which that shakuhachi soars.

「四季の音風景」(尺八、三味線、箏)において、タイトルが示すように、私は音楽を通して季節の本質を表現しようとした。第一楽章「秋」は優美で渋い。第二楽章「冬」は箏の広がりのある音によって静かに始まり、次第に吹雪きの予兆を感じさせる激しさを増していく。第三楽章「春」は三木稔氏作曲による二十絃箏独奏のための「芽生え」に感化された。箏が軽快な楽句を繰り返す中、尺八は叙情的で伸びやかな旋律を奏でる。この楽章の中間部では、様々な二重奏の楽器の組み合わせによって構成される。始まりから終わりに向けて快活なエネルギーに満ちる「夏」は、尺八が高音で歌い上げる中、箏と三味線が生き生きとしたシンコペーションの楽句を繰り返す。

Saturday, August 27, 2016

August 27th, 2016: Premiere of Withering Chrysanthemum / 残菊 (2016) in Tokyo, Japan


My work for solo 13-string koto, Withering Chrysanthemum / 残菊 (2016) will received its world premiere in Tokyo, Japan. This work was commissioned by Sahoko Nozawa. 

Program notes:

There is no flower I adore more than the chrysanthemum. I love the beautiful color and the shapes of the individual petals. Most of all, I am fascinated by the intricate design created by the various layers of petals, an element which I came to appreciate as I struggled to draw a chrysanthemum in my Chinese ink drawing class at the Kaetsu Centre in Cambridge, England.

This work is intended to evoke the lifespan of chrysanthemum. The piece begins gently and innocently, a petal-less bud. The piece slowly grows in intensity as petals begin to appear and the flower blooms. There are two sections of the work in which the chrysanthemum struggles to survive through harsh weather conditions such as strong winds or rain. Towards the end of the work, the petals are unable to resist being pulled from their stems by a fierce storm. The final moments musically depict the last remaining petals as the chrysanthemum faces the end of its life.

私は菊という花にとても憧れている。その美しい色と一つ一つの花弁の形が大好きである。何よりも魅せられているのは、その花弁たちが幾重にも重なる細かい造形美である。そう感じたのは、私が以前英国のケンブリッジにある嘉悦センターで受けた中国水墨画のクラスで菊の花のドローイングに取り組んだ時であった。

この曲では菊の生命を表すように試みた。花弁をつける前の芽生えのように、曲は優しく、無邪気に始まる。少しずつ花弁が現れ、やがて開くと共に曲は少しずつ深まっていく。曲中では2カ所にわたり、菊が強い風や雨の中で頑張って生き残ろうとしている様を表現している。終結部では、花弁が激しい嵐に耐えられず舞い散り、そしていくつかの花弁が最後に残る様子を描写する。








Saturday, July 23, 2016

July 23rd, 2016: Performance of Three Incantations (2012) in Tokyo

SHIJUKIKAI
 20th Anniversary Concert 

Saturday, July 23rd 2016
Kioi Small Hall (5 min walk from JR Yotsuya Station or Akasaka Mitsuke Subway)
1:30 pm Doors open
2:00 pm Start

Tickets
¥2,500 advanced purchase
¥3,000 at the door

Consisting mainly of graduates from the 40th group to study at the NHK training program for young musicians of traditional instruments, Shijukikai has been active over the past 20 years sharing the beauty of Japanese music with a variety of audiences. It is quite rare to see such a wide array of Japanese instruments during the course of a single concert, so this is not one to be missed. There will be both Yamada and Ikuta style koto represented along with shakuhachi, shinobue flute, tsugaru shamisen and the ichigen-kin (Japan’s one string instrument). Kioi Hall is conveniently located in the center of Tokyo. Hope you can make it!

Program
Kaede No Hana (Classical honte/kaede koto ensemble, Yamada-ryu)
Sankai/Three Incantations (A new composition for 25-string koto by Marty Regan)
Chikushi no Sakura (for koto and misato-bue/flute)
Mai (koto/shakuhachi duo)
Toccata (25 string koto)
Tsugaru Aiya Bushi (tsugaru shamisen)
Session (tsugaru shamisen, shino-bue, bass koto improvisation)
Kagen no Tsuki (for one string koto and shakuhachi)
Josho no Kanata (koto, bass koto)

7月23日、14時開演、紀尾井小ホール(JR四谷、地下鉄赤坂見附徒歩徒歩5分)
「萌芽」~芽ぐみ 紡ぐ響き~
NHK邦楽技能者育成会40期卒業生の会、「四十騎会」創立20周年記念コンサート
チケット 2,500円前売り/3,000 円当日

古典から現代曲まで、四十騎会らしく様々な和楽器の演奏を楽しめる会となります。

楓の花( 箏本手/替手)
三界(25絃箏)
筑紫の桜(みさと笛/箏)
舞(箏/尺八)
トッカータ(25絃箏)
津軽あいや節(津軽三味線)
セッション(17絃箏/津軽三味線/篠笛による即興)
下弦の月(一絃琴/尺八)
上昇の彼方(箏/17絃箏)

四十騎会は20年を越えてまた新しい歩みを始めます。「芽ぐみ」(萌芽)を20年続けることができた「恵み」に感謝し、20年を節目として、新しい「芽」を探求する姿勢を忘れず、邦楽の未来を考え続ける団体でありたいと思います。会員それぞれがこれまで培ってきた、和の響きを次世代に紡いで伝えていくための節目となるコンサートを創りたいと願っています。